And he came by her cabin to the west of the road, calling. There was a strong love came up in her at that, and she put down her sewing on the table, and "Mother," she says, "There's no lock, and no key, and no bolt, and no door. There's no iron, nor no stone, nor anything at all will keep me this night from the man I love." And she went out into the moonlight to him, there by the bush where the flow'rs is pretty, beyond the river. And he says to her: "You are all of the beauty of the world, will you come where I go, over the waves of the sea?" And she says to him: "My treasure and my strength," she says, "I would follow you on the frozen hills, my feet bleeding." Then they went down into the sea together, and the moon made a track [upon]1 the sea, and they walked down it; it was like a flame before them. There was no fear at all on her; only a great love like the love of the Old Ones, that was stronger than the touch of the fool. She had a little white throat, and little cheeks like flowers, and she went down into the sea with her man, who wasn't a man at all. She was drowned, of course. It's like he never thought that she wouldn't bear the sea like himself. She was drowned, drowned.
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View original text (without footnotes)1 Clarke: "on"
Text Authorship:
- by John Masefield (1878 - 1967), "The Seal Man", appears in A Mainsail Haul, first published 1905 [author's text checked 1 time against a primary source]
Musical settings (art songs, Lieder, mélodies, (etc.), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive):
- by Rebecca Clarke (1886 - 1979), "The Seal Man", 1922, published 1926, note: the score has the following quotation at the top: "Them that live in the water, they have ways of calling people." [sung text checked 1 time]
Researcher for this text: Emily Ezust [Administrator]
This text was added to the website between May 1995 and September 2003.
Line count: 23
Word count: 245