Texts by M. Evans set in Art Songs and Choral Works
Text Collections:
Texts set in art song or choral works (not necessarily comprehensive):
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Special notes: All titles and first lines are included in this index, including those used by composers.
Titles used by the text author appear in boldface. First lines appear in italics.
A language code in a blue rectangle like ENG indicates that a translation to that language is available.
A grey rectangle like FRE indicates a particular translation (usually one set to music) exists but isn't yet available.
- After all, the true seeing is within (from Middlemarch [novel]) - L. Larsen
- Ay de mi from the "Spanish Gypsy" (O bird, that used to press) (from The Spanish Gypsy) - M. Lang
- Ay De Mi (O bird, that used to press) (from The Spanish Gypsy) - A. Sullivan
- Blue wings (Warm whisp'ring through the slender olive leaves) (from The Spanish Gypsy) - C. Stanford
- Bright, o bright Fedalma (Maiden, crowned with glossy blackness) (from The Spanish Gypsy) - C. Stanford
- Came a pretty maid (Came a pretty maid) (from The Spanish Gypsy) - C. Stanford
- Came a pretty maid (from The Spanish Gypsy) - C. Stanford
- Commonplace (We all must die) (from Middlemarch [novel]) - L. Larsen
- Day is dying! Float, O song (from The Spanish Gypsy) - C. Stanford
- Day is dying (Day is dying! Float, O song) (from The Spanish Gypsy) - C. Stanford
- Harvest and Springtime (In the human experience, the humans are all mingled together) (from Daniel Deronda [novel]) - L. Larsen
- In Medias Res (Men can do nothing, without the make-believe of a beginning) (from Daniel Deronda [novel]) - L. Larsen
- In the human experience, the humans are all mingled together (from Daniel Deronda [novel]) - L. Larsen
- It was in the prime (from The Spanish Gypsy) - C. Stanford
- Maiden, crowned with glossy blackness (from The Spanish Gypsy) - C. Stanford
- Men can do nothing, without the make-believe of a beginning (from Daniel Deronda [novel]) - L. Larsen
- O bird, that used to press (from The Spanish Gypsy) - M. Lang, A. Sullivan
- Ojala from the "Spanish Gyspy" (Spring comes hither) (from The Spanish Gypsy) - M. Lang
- Ojalà, would she carry me? (Spring comes hither) (from The Spanish Gypsy) - A. Foote
- Our caresses, our tender words, our still rapture under the influence (from Middlemarch [novel]) - T. Cipullo
- Rapture (Our caresses, our tender words, our still rapture under the influence) (from Middlemarch [novel]) - T. Cipullo
- Should I long that dark were fair? (from The Spanish Gypsy) - C. Stanford
- So much of our early gladness (from Adam Bede [novel]) - L. Larsen
- Spring comes hither (Spring comes hither) (from The Spanish Gypsy) - C. Stanford
- Spring comes hither (from The Spanish Gypsy) - A. Foote, M. Lang, C. Stanford
- Sweet evenings come and go, love (Sweet evenings come and go, love) - R. Boughton, S. Coleridge-Taylor
- Sweet evenings (Sweet evenings come and go, love) - R. Boughton
- Sweet Springtime (It was in the prime) (from The Spanish Gypsy) - C. Stanford
- The radiant dark (Should I long that dark were fair?) (from The Spanish Gypsy) - C. Stanford
- The world is great: the birds all fly from me (from The Spanish Gypsy) - C. Stanford
- The world is great: the birds fly from me (from The Spanish Gypsy)
- The world is great (The world is great: the birds all fly from me) (from The Spanish Gypsy) - C. Stanford
- True Seeing (After all, the true seeing is within) (from Middlemarch [novel]) - L. Larsen
- Vanished (So much of our early gladness) (from Adam Bede [novel]) - L. Larsen
- Warm whisp'ring through the slender olive leaves (from The Spanish Gypsy) - C. Stanford
- We all must die (from Middlemarch [novel]) - L. Larsen
- You love the roses - so do I. I wish
Last update: 2023-10-29 18:55:57