I paused on the threshold I turned to the sky I looked to the heavens And the dark mountains round The full moon shone bright Through that ocean on high And the wind murmured past With a wild eerie sound And I entered the walls Of my dark prison house Mysterious it rose From the billowy moor
Wuthering Heights
Song Cycle by Terry Fisk
SCENE ONE
Temporary refugee from city society, Lockwood, hires property, Thrushcross Grange, in an isolated area of North Yorkshire England. His first visit [1] to the owner of the property, a Mr Heathcliff, is less then welcoming and he begins to have doubts [2] about his decision to live in such a forsaken and unfriendly environment."I've just been to see my landlord Mr Heathcliff"
1. I paused on the threshold  [sung text checked 1 time]
Text Authorship:
- by Emily Brontë (1818 - 1848), no title
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Note: in the Fisk work, this is sung by LockwoodResearcher for this page: Terry Fisk
2. Stern reason is to judgment come  [sung text checked 1 time]
Stern reason is to judgment come Arrayed in all her forms of gloom Will thou my advocate be dumb? Speak and say Why I did cast the world away Why I have preserved to shun The common paths that others run And on a strange road journeyed on Heedless alike of wealth and power Of honours wreath and pleasures flower.. Speak and say Why I have chosen here
Text Authorship:
- by Terry Fisk [an adaptation]
Based on:
- a text in English by Emily Brontë (1818 - 1848), "Plead For Me", appears in Poems by Currer, Ellis, and Acton Bell, first published 1846
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Note: in the Fisk work, this is sung by LockwoodNote: Fisk has made substantial omissions from the original text
Researcher for this page: Terry Fisk
SCENE TWO
A visit to his landlords property, Wuthering Heights, the next day results in a forced overnight stay due to bad weather conditions. Lockwood is smuggled into an unused room by the cook, Zillith. Later that night he hears strange noises [3] and then is terrified by the ghostly appearance of a young girl, Catherine Earnshaw [4 ] the deceased daughter of the original owner of the house.The ghost seems to be searching for someone [5]. Heathcliff is highly agitated on hearing of the ghosts appearance and calls out to it [6]
"While leading the way upstairs she recommended that I should hide the candle and not make a noise, for her master had an odd notion about the chamber she would put me in and would never let anyone lodge there willingly"
3. All hushed and still within the house  [sung text checked 1 time]
All hushed and still within the house Without - all [wind and driving rain]1. But something whispers to my mind Through [rain and through the]2 wailing wind - - Never again, Never again? Why not again? Memory has power as real as [thine]3.
Text Authorship:
- by Emily Brontë (1818 - 1848), no title, from The Complete Poems of Emily Brontë, first published 1910
See other settings of this text.
View original text (without footnotes)Note: in the Fisk work, this is sung by Lockwood
1 Fisk: "storm and driving wind"
2 Fisk: "snow and storm and"
3 Fisk: "time"
Researcher for this page: Terry Fisk
"My fingers closed on the fingers of a little ice cold hand"
4. [No title]  [sung text checked 1 time]
[ ... ]1 What woke? A little child Strayed from its father's cottage door And in the hour of moonlight Lay lonely on the desert moor I heard it - a shriek of misery That wild wild music Wailed to me
Text Authorship:
- by Emily Brontë (1818 - 1848), "Redbreast early in the morning"
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View original text (without footnotes)Note: In the Fisk work, this is sung by Lockwood
Note: Fisk has made substantial omissions to the original text
1 First thirteen lines omitted by Fisk.
Researcher for this page: Terry Fisk
"Let me in let me in.. It is twenty years," mourned the voice. "I've been a waif for twenty years."
5. I did not sleep twas noon of day  [sung text checked 1 time]
I did not sleep twas noon of day I watched the burning sunshine fall.. The long grass bending where I lay The blue sky brooding over all I heard the mellow hum of bees And singing birds and sighing trees And far away in woody dell The music of the Sabbath bell I did not dream remembrance still Clasped round my heart its fetters chill But I am sure the soul is free To leave its clay a little while Or how in exile misery Could I have seen my county smile In [ancient]1 fields my limbs were laid With [ancient]1 turf beneath my head My spirit wandered o'er that shore Where nought but it may wander more Yet if the soul can thus return I need not and I will not mourn. [The]2 mortal flesh you might debar But not the eternal fire within. [...]3 A heart that can forget him never [Thought shut within a sighing]4 tomb His name shall be for whom I bear This long sustained and hopeless doom And brighter in the hour of woe Than in the blaze of victory's pride That glory shedding star shall glow For which we fought and bled and died.
Text Authorship:
- by Emily Brontë (1818 - 1848), no title
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View original text (without footnotes)Note: In the Fisk work, this is sung by Catherine
1 Bronte: "English"
2 Bronte: "My"
3 2 lines omitted by Fisk
4 Bronte: "Though shut within a silent"
Researcher for this page: Terry Fisk
"Come in ! come in!" he sobbed. "Cathy, do come - Oh do. Once more. Oh! My hearts darling! Hear me this time, Catherine, at last!"
6. If grief for grief can touch thee  [sung text checked 1 time]
If grief for grief can touch thee If answering woe for woe If any ruth can melt thee Come to me now I cannot be more lonely More drear I cannot be My worn heart throbs so wildly 'Twill break for thee And when the world despises When heaven repels my prayer Will not my angel comfort? Mine idol hear? Yes by the tears I've poured By all my hours of pain Oh I will surely win thee Beloved, again
Text Authorship:
- by Emily Brontë (1818 - 1848), no title, appears in Poems by Charlotte, Emily, and Anne Brontë Now for the First Time Printed, first published 1902
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Note: in the Fisk work, this is sung by HeathcliffResearcher for this page: Terry Fisk
SCENE THREE
The next night Lockwoods housekeeper,Nelly Dean, an ex servant of the Heights, agrees to tell Lockwood the history of the house he has just escaped [7]. It seems that 20 years before, the original owner of the property. Mr Earnshaw, while on a visit to Liverpool found a street child whom he took pity on [8] and brought home, much to the displeasure of his own children, Catherine and Hindley. Catherine however grew fond of the newcomer [9] now called Heathcliff . Hindley was sent away to college for three years and the friendship between Catherine and Heathcliff deepened. Following the death of his father, Hindley returned for the funeral with a wife, Francis. He settled into manage the property but regularly maltreated Heathcliff.. The only solace the boy had was comforting by Catherine [10]
"Do you know anything of his history?... It is a cuckoo's sir. I know all about it except where he was born and who were his parents..."7. Well, narrower draw the circle round  [sung text checked 1 time]
Well, narrower draw the circle round And hush that [scornful]1 solemn sound And quench the lamp and stir the fire To rouse its flickering radiance higher Loop up the window's velvet veil That we may hear the night-wind wail For wild those gusts and well their chimes Blend with a song of troubled times
Text Authorship:
- by Emily Brontë (1818 - 1848), no title
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View original text (without footnotes)Note: in the Fisk work, this is sung by Nelly
1 Bronte: "organ's"
Researcher for this page: Terry Fisk
"All I could make out was a tale of his seeing it starving and houseless
and as good as dumb in the streets of Liverpool."
8. Heavy hangs the raindrop  [sung text checked 1 time]
Heavy hangs the raindrop From the burdened spray Heavy broods the damp mist On uplands far away Heavy looms the dull sky Heavy rolls the sea And heavy beats the young heart Beneath that lonely tree Never has a blue streak Cleft the clouds since morn Never has his grim fate Smiled since he was born Frowning on the infant, Shadowing childhood's joy Guardian angel knows not That melancholy boy Day is passing swiftly Its sad and sombre prime Youth is fast invading Sterner manhood's' time All the flowers are praying For sun before they close And he prays too unknowing That sunless human rose Blossoms that the west-wind Has never wooed to blow Scentless are thy petals Your dew as cold as snow Soul, where kindred kindness No early promise woke Barren is your beauty As weed upon the rock Whither [brother]1 whither [Your life was]2 vainly given Earth reserves no blessing For the unblessed of heaven
Text Authorship:
- by Emily Brontë (1818 - 1848), no title
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View original text (without footnotes)Note: in the Fisk work, this is sung by Earnshaw
1 Bronte: "brothers"
2 Bronte: "you were"
Researcher for this page: Terry Fisk
"She was much too fond of Heathcliff"
9. I'll come when thou art saddest  [sung text checked 1 time]
I'll come when thou art saddest Laid alone in the darkened room; When the mad day's mirth has vanished And the smile of joy is banished From evening's chilly gloom. I'll come when the heart's real feeling Has entire unbiassed sway, And my influence o'er thee stealing, Grief deepening, joy congealing, Shall bear thy soul away. Listen, 'tis just the hour, The awful time for thee; Dost thou not feel upon thy soul A flood of strange sensations roll, Forerunners of a sterner power, Heralds of me?
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by CatherineResearcher for this text: Emily Ezust [Administrator]
10. Child of delight  [sung text checked 1 time]
Child of delight What brings you here Beneath these sullen skies? I saw and pitied mournful boy And I swore if need were To share your sadness And give to you my sunny joy Heavy and dark the night is closing Heavy and dark may its biding be Better for all from grief reposing And better for all who watch like me Guardian angel you lack no longer Evil fortune you need not fear Fate is strong, but love is stronger And more unsleeping then angel care
Text Authorship:
- by Emily Brontë (1818 - 1848), no title [an adaptation]
Based on:
- a text in English by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, the first stanza is sung by Heathcliff and the rest by CatherineResearcher for this page: Terry Fisk
SCENE FOUR
One day, a sneak visit to the neighbouring Thrushcross Grange property by Catherine and Heathcliff results in an attack by a watchdog. Heathcliff is told to go home. Catherine is taken in by Mrs Linton, the wife of the owner, and quickly adapts to the well bred manners of the children of the house, Edgar and Isabella [11]. When Catherines stay extends to five weeks Heathcliff resents her apparent change of attitude towards him [12]
"Where is Miss Catherine?" I cried hurriedly. "No accident I hope?""At Thrushcross Grange," he answered; "and I would have been there too, but they had not the manners to ask me to stay."
11. Awaking morning laughs from heaven  [sung text checked 1 time]
Awaking morning laughs from heaven On golden summer's forests green; And what a [gush]1 of song is given To welcome in that light serene. A fresh wind waves the clustering roses, And through the open window sighs Around the couch where she reposes, The lady with the dovelike eyes; With dovelike eyes and shining hair, And velvet cheek so sweetly moulded; And hands so soft and white and fair Above her snowy bosom folded. Her sister's and her brother's feet Are brushing off the scented dew, And she springs up in haste to greet The grass and flowers and sunshine too.
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in Fisk's work, this is sung by Mrs. Linton
1 Fisk: "gust"
Researcher for this page: Nick Peros
12. Lady in your palace hall  [sung text checked 1 time]
Lady in your palace hall Once perchance my face was seen Can no memory now recall Thought again to what has been?
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in Fisk's work, this is sung by HeathcliffResearcher for this page: Terry Fisk
SCENE FIVE
The following year, some weeks after giving birth to their son, Hareton, Hindleys wife, Francis, dies and he begins drinking heavily. When Heathcliff later overhears Catherine talking to Nelly about marriage to Edgar Linton [13] he is angry at her apparent rejection of him [14] and runs away to better himself [15]. Catherine is very upset when she realises Heathcliff has left [16]. She remains disturbed for a considerable period [17] then gradually accepts her loss [18] and decides to go ahead with her plans for marriage to Edgar [19] now owner of Thrushcross Grange following his parents' death from fever. She tries to forget Heathcliff and adjust to her new life in privileged society [20]
"I've no more business to marry Edgar Linton then to be in heaven. And if the wicked man in there had not brought Heathcliff so low, I shouldn't have thought of it. It would degrade me to marry Heathcliff now; so he shall never know how much I love him."
13. On a sunny brae alone I lay  [sung text checked 1 time]
On a sunny brae alone I lay One summer afternoon It was the marriage time of May With her young lover, June. [From her mother's heart, seemed loath to part That queen of bridal charms, But her father smiled on the fairest child He ever held in his arms.]1 The trees did wave their plumy crests The glad birds carolled clear And I, of all the wedding guests Was only sullen there There was not one but wished to shun My aspect void of cheer [The very grey rocks, looking on, Asked, "What do you here?"]1 And I could utter no reply [In sooth, I did not know]1 Why I had brought a clouded eye To greet the general glow So resting on a heathy bank I took my heart to me And we together sadly sank Into a reverie We thought when winter comes again Where will these bright things be? All vanished like a vision vain An unreal mockery The birds that now so blithely sing Through deserts frozen dry Poor spectres of the perished spring In famished troops will fly And why should we be glad at all The leaf is hardly green Before a token of its fall Is on the surface seen Now whether it were really so I never could be sure But as in fit of peevish woe I stretched me on the moor A thousand thousand gleaming fires Seemed kindling in the air A thousand thousand silvery lyres Resounded far and near Methought the very breath I breathed Was full of sparks divine And all my heather couch was wreathed By that celestial shine And, while the wide earth echoing rung To their strange minstrelsy The little glittering spirits sung Or seemed to sing to me [Dying memories] Oh mortal! mortal let them die Let time and tears destroy That we may overflow the sky With universal joy Let grief distract the sufferer's breast Let night obscure his way They hasten him to endless rest And everlasting day To thee the world is like a tomb A desert's naked shore To us in unimagined bloom It brightens more and more And could we lift the veil and give One brief glimpse to thine eye Thou wouldst rejoice for those that live Because they live to die The music ceased the noonday dream Like dream of night withdrew But fancy still will sometimes deem Her fond creation true
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in Fisk's work, this is sung by Catherine
1 omitted by Fisk
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14. Light up the halls tis closing day  [sung text checked 1 time]
Light up the halls tis closing day I'm drear and lone and far away Cold blows on my breast the north winds bitter sigh And oh, my couch is bleak beneath the rainy sky Light up the halls and think not of me That face is absent now thou hast hated so to see Bright be thine eyes undimmed their dazzling shine For never, never more will they encounter mine The desert moor is dark there is tempest in the air I have breathed my only wish in one last one burning prayer A prayer that would come forth although it lingered long That set on fire my heart but died upon my tongue And now, it shall be done before the morning rise I will not watch the sun ascend in yonder skies One task alone remains thy pictured face to view And then I go to prove if God at least be true [ ...]1 Oh could I see thy lids weighed down in cheerless woe Too full to hide the tears too stern to overflow Oh could I know thy soul with equal grief was torn This fate might be endured this anguish might be borne [...]2 I do not need thy breath to cool my death-cold brow But go to that far land where she is shining now Tell her my latest wish tell her my dreary doom Say my pangs are past but hers are yet to come Vain words vain frenzied thoughts No ear can hear my call Lost in the vacant air my frantic curses fall And could she see me now perchance her lip would smile Would smile in careless pride and utter scorn the while! And yet for all her hate each parting glance would tell A stronger passion breathed burned in this last farewell Unconquered in my soul the Tyrant rules me still Life bows to my control but love I cannot kill!
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Heathcliff
1 8 lines omitted by Fisk
2 4 lines omitted by Fisk
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15. Now trusts a heart that trusts in you  [sung text checked 1 time]
Now trusts a heart that trusts in you And firmly say the word adieu Be sure wherever I may roam My heart is with your heart at home And whiter brows then yours may be And rosier cheeks my eyes may see And lightning looks from orbs divine Around my pathway burn and shine But that pure light changeless and strong Cherished and watched and nursed so long That love that first its glory gave Shall be my pole star to the grave
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by HeathcliffResearcher for this page: Terry Fisk
16. I would have touched the heavenly key  [sung text checked 1 time]
I would have touched the heavenly key That spoke alike of bliss and thee I would have woke the entrancing song But its words died upon my tongue And then I knew that hallowed strain Would never speak of joy again And then I felt.....
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by CatherineResearcher for this page: Terry Fisk
17. From our evening fireside now  [sung text checked 1 time]
From our evening fireside now Merry laugh and cheerful tone Smiling eye and cloudless brow Mirth and music all are flown Yet the grass before the door Grows as green in April rain And as blithely as of yore Larks have poured their day-long strain Is it fear or is it sorrow Checks the stagnant stream of joy? Do we tremble that tomorrow May some future peace destroy? [...]1 One is absent, and for one Cheerless chill is our hearthstone One is absent and for him Cheeks are pale and eyes are dim The joy of life has flown He is gone and we are lone So it is by morn and eve So it is in field and hall For the absent one we grieve One being absent saddens all
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Catherine
1 26 lines omitted by Fisk
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18. Why do I hate that lone green dell?  [sung text checked 1 time]
Why do I hate that lone green dell? Buried in moors and mountains wild That is a place I had loved [so]1 well Had I but seen it [as]2 a child [...]3 The earth shone round with a long lost charm Alas I forgot I was not the same Before a day an hour passed by My spirit knew itself once more I saw the gilded vapours fly And leave me as I was before
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Catherine
1 Bronte: "too"
2 Bronte: "when"
3 lines 5-14 omitted by Fisk
Researcher for this page: Terry Fisk
19. There should be no despair for you  [sung text checked 1 time]
There should be no despair for you While nightly stars are burning While evening pours its silent dew And sunshine gilds the morning There should be no despair though tears May flow down like a river Are not the best beloved of years Around your heart forever? They weep you weep it must be so Winds sigh as you are sighing And winter sheds its grief in snow When autumn leaves are lying Yet these revive and from their fate Your fate cannot be parted Then journey on if not elate Then never broken-hearted!
Text Authorship:
- by Emily Brontë (1818 - 1848), "Sympathy", appears in Poems by Currer, Ellis, and Acton Bell, first published 1846
See other settings of this text.
Note: in the Fisk work, this is sung by CatherineResearcher for this page: Terry Fisk
20. Here with my knee upon thy stone  [sung text checked 1 time]
Here with my knee upon thy stone I bid adieu to feelings gone I leave with thee my tears and pain And rush into the world again
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by CatherineResearcher for this page: Terry Fisk
SCENE SIX
Three years after his departure Heathcliff returns much to Edgar's annoyance and Catherines' joy [21] The depth of their regard for each other is obvious [22] The harmony does not last. Following a dispute between Catherine and Edgar over Heathcliffs continued presence Catherine becomes delirious [23]. When it is discovered that Heathcliff has eloped with Isabella [24] Catherine suffers a brain fever which is later recognised as a symptom of pregnancy. After two months of devoted nursing by Edgar, she recovers. [25]
Isabella returns to Wuthering Heights married to Heathcliff and is treated badly by him. Heathcliff sneaks a meeting with Catherine who has become morose and fatalistic about her condition [26]. Catherine dies shortly after the premature birth of a daughter, also called Catherine [27] Heathcliff is distraught at her death and begs her ghost to haunt him and never leave him alone again [28]
21. Fair sinks the summer evening now  [sung text checked 1 time]
Fair sinks the summer evening now In softened glory round my home The sky upon its holy brow Wears not a cloud that speaks of gloom The old tower shrined in golden light Looks down on the descending sun So gently evening blends with night You scarce could say that day is done And this is just the joyous hour When we were wont to burst away To 'scape from labour's tyrant power And cheerfully go out to play Then why is all so sad and lone? No merry footstep on the stair No laugh no heart awaking tone But voiceless silence everywhere I've wandered round our garden ground And still it seemed at every turn That I should greet approaching feet And words upon the breezes borne In vain they will not come today And mornings beams will rise as drear But tell me are they gone for aye Our sun blinks through the mists of care? Ah no reproving Hope doth say Departed joys 'tis fond to mourn When every storm that hides their ray Prepares a more [divine]1 return
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- CHI Chinese (中文) [singable] (Dr Huaixing Wang) , subtitle: "夏日黄昏", copyright © 2024, (re)printed on this website with kind permission
Note: in the Fisk work, this is sung by Catherine
1 Bronte: "defiant"
Researcher for this page: Terry Fisk
"Oh Edgar Edgar ... Heathcliff's come back - he is!"
22. Companions all day long we've stood  [sung text checked 1 time]
Companions all day long we've stood The wild winds restless blowing All day we've watched the darkened flood Around our vessel flowing Sunshine has never smiled since morn And clouds have gathered drear And heavier hearts would feel forlorn And weaker minds would fear But look in each young shipmate's eyes Lit by the evening flame And see how little stormy skies Our joyous blood can tame [...]1 It is the hour of dreaming now The red fire brightly gleams And sweetest in a red fire's glow The hour of dreaming seems I may not trace the thoughts of all But some I read as well As I can hear the ocean's fall And sullen surging swell And one is there, I know the voice [...]2 The thrilling stirring tone That makes [the]3 bounding pulse rejoice And makes us one alone [...]4
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Catherine
1 lines 13-15 omitted by Fisk
2 lines 25-28 omitted by Fisk
3 Bronte: "his"
4 lines 33-52 omitted by Fisk
Researcher for this page: Terry Fisk
"Because I'm weak my brain got confused and I screamed unconsciously. Don't say anything but stay with me. I dread sleeping. My dreams appal me."
23. Enough of thought philosopher  [sung text checked 1 time]
Enough of thought philosopher Too long as thou been dreaming Unenlightened, in this chamber drear While summers sun is beaming Space sweeping soul, what sad refrain Concludes thy musing once again? "Oh for the time when I shall sleep Without identity And never care how rain may steep Or snow may cover me! No promised heaven, these wild desires Could all or half fulfil? No threatened hell with quenchless fires Subdue this quenchless will! So said I and still say the same Still to my death will say Three gods within this little frame Are warring night and day Heaven could not hold them all and yet They all are held in me And must be mine till I forget My present entity Oh for the time when in my breast Their struggles will be o'er Oh for the day, when I shall rest And never suffer more! I saw a spirit, standing man Where thou doth stand an hour ago And round his feet three rivers ran Of equal depth and equal flow A golden stream and one like blood And one like sapphire seemed to be But where they joined their triple flood It tumbled in an inky sea The spirit sent his dazzling gaze Down through that oceans gloomy night Then kindling all with sudden blaze The glad deep sparkled wide and bright White as the sun far far more fair Then its divided sources were And even for that spirit, seer I watched and sought my life-time long Sought him in heaven, hell, earth and air An endless search and always wrong! Had I but seen his glorious eye Once light the clouds that wilder me I ne're had raised this coward cry To cease to think and cease to be I ne'er had called oblivion blest Nor, stretching eager hands to death Implored to change for senseless rest This sentient soul this living breath Oh let me die that power and will Their cruel strife may close And conquered good and conquering ill Be lost in one repose
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by CatherineResearcher for this page: Terry Fisk
"She's gone, she's gone! Yon' Heathcliff's run off wi' her!"
24. Silent is the house  [sung text checked 1 time]
Silent is the house All are laid asleep One alone looks out O'er the snow wreaths deep Watching every cloud Dreading every breeze That whirls the wildering drifts And bends the groaning trees Cheerful is the hearth Soft the matted floor Not one shivering gust Creeps through pane and door The little lamp burns straight Its rays shoot strong and far I trim it well to be The wanderers guiding star Frown my haughty sire Chide my angry dame Set your slaves to spy Threaten me with shame But neither sire nor dame Nor prying serf shall know What angel nightly tracks That waste of winter snow What I love shall come Like visitant of air Safe in secret power From lurking human snare Who loves me no word of mine Shall o'er betray Though for faith unstained My life must forfeit pay Burn then little lamp Glimmer straight and clear Hush a rusting wind stirs Me thinks the air He for whom I wait Thus ever comes to me Strange power I trust your might Trust thou my constancy
Text Authorship:
- by Emily Brontë (1818 - 1848), "The Visionary", appears in Wuthering Heights and Agnes Grey, first published 1850
See other settings of this text.
Note: in the Fisk work, this is sung by IsabellaResearcher for this page: Terry Fisk
25. The night of storms has passed  [sung text checked 1 time]
The night of storms has passed The sunshine bright and clear Gives glory to the verdant waste And warms the breezy air And I would leave my bed Its cheering smile to see To chase the visions from my head Whose forms have troubled me In my all the hours of gloom My soul was rapt away I dreamt I stood by a marble tomb Where royal corpses lay It was just the time of eve When parted ghosts might come Above their prisoned dust to grieve And wail their woeful doom And truly at my side I saw a shadowy thing Most dim and yet its presence there Curdled my blood with ghastly fear And ghastlier wondering My breath I could not draw The air seemed [uncanny]1 But still my eyes with maddening gaze Were fixed upon its fearful face And its were fixed on me I fell down on the stone But could not turn away My words died in a voiceless moan When I began to pray And still it bent above Its features full in view It seemed close by and yet more far Then this world from the farthest star That tracks the boundless blue Indeed 'twas not the space Of earth or time between But the sea of death's eternity The gulf o'er which mortality Has never never been O bring not back again The horror of that hour When its lips opened And a sound Awoke the stillness reigning round Faint as a dream but the Earth shrank And heavens lights shivered 'Neath its power
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Catherine
1 Bronte: "ranny"
Researcher for this page: Terry Fisk
26. I see around me tombstones grey  [sung text checked 1 time]
I see around me tombstones grey Stretching their shadow far away Beneath the turf my footsteps tread Lie lone and lone the silent dead Beneath the turf beneath the mould Forever dark forever cold And my eyes cannot hold the tears That memory hoards from vanished years For time and death and mortal pain Give wounds that will not heal again Let me remember half the woe I've seen and heard and felt below And heaven itself so pure and blest Could never give my spirit rest Sweet land of light thy children fair Know naught akin to our despair Nor have they felt nor can they tell What tenants haunt each mortal cell What gloomy guests we hold within Torments and madness tears and sin Well may they live in ecstasy Their long eternity of joy At least we would not bring them down With us to weep with us to groan No - Earth would wish no other sphere To taste her cup of sufferings drear She turns from heaven a careless eye And only mourns that we must die Ah mother what shall comfort thee In all this boundless misery? To cheer our eager eyes a while We see thee smile how fondly smile But who reads through that tender glow Thy deep, unutterable woe! Indeed no dazzling land above Can cheat thee of thy children's love We all in life's departing shine Our last dear longings blend with thine And struggle still and strive to trace With clouded gaze thy darling face We would not leave our native home For any world beyond the tomb No rather on thy kindly breast Let us be laid in lasting rest Or waken but to share with thee A mutual immortality
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by CatherineResearcher for this page: Terry Fisk
"I shall not be at peace," moaned Catherine. "I'm not wishing you greater torment then I have, Heathcliff. I only wish us never to be parted."
27. Thou standest in the greenwoods now  [sung text checked 1 time]
Thou standest in the greenwoods now The place the hour the same And here the fresh leaves gleam and glow And there down in the lake below The tiny ripples flame But where is he today today? O question not with me I will not Lady only say Where may thy lover be? Is he upon some distant shore? Or is he on the sea? Or is the heart thou dost adore A faithless heart to thee? The heart I love what're betide Is faithful as the grave And neither foreign lands divide Nor yet the rolling wave Then why should sorrow cloud that brow And tears those eyes bedim? Reply this once is it that thou Has faithless been to him? I gazed upon the cloudless moon And loved her all the night Till morning came and ardent noon Then I forgot her light No not forgot eternally Remains its memory dear But could the day seem dark to me Because the night was fair? I well may mourn that only one Can light my future sky Even thou by such a radiant sky My moon of life must die
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by CatherineResearcher for this page: Terry Fisk
"Be with me always - take any form - Drive me mad. Only do not leave me in this abyss, where I cannot find you."
28. The wind was rough which tore  [sung text checked 1 time]
The wind was rough which tore
The leaf from its parent tree
The fate was cruel which bore
The withering corpse to me
[ ... ]
Text Authorship:
- by Emily Brontë (1818 - 1848), "The wind was rough which tore", appears in The Complete Poems of Emily Brontë, first published 1910
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Note: in the Fisk work, this is sung by HeathcliffResearcher for this page: Terry Fisk
SCENE SEVEN
Heathcliff's contempt for Isabella becomes obvious following Catherines death and she runs away from him and moves to South London where she gives birth, two months later to a son, Linton, whom she raises on her own. Two years later Isabella dies deserted by family, friends and society and longing for the familiar sights and sounds of her birth place [29]
Edgar's grief over Catherine's death turns him into a recluse and he takes to long isolated walks at night over the moorlands [30]] Six months after Isabella's death, Hindley dies, an alcoholic, his estate and son now under the legal control of Heathcliff. Hindley's death is mourned only by Nelly who knew him from childhood. [31] Catherine's child, Cathy, meanwhile was being raised by her father Edgar and Nelly in relative peace at the Grange
"I believe her new abode was in the south, near London: there she had a son. [She] died when Linton was twelve or a little more."
29. The linnet in the rocky dells  [sung text checked 1 time]
The linnet in the rocky dells The moor lark in the air The bee among the heather bells That hide [a]1 lady fair The wild deer browse above her breast The wild birds raise their brood And they, her smiles of love caressed Have left her solitude I ween that when the graves dark wail Did first her form retain They thought their hearts could ne'er recall The light of joy again They thought the tide of grief would flow Unchecked through future years But where is all their anguish now And where are all their tears? Well let them fight for honours breath Or pleasures shade pursue The dweller in the land of death Is changed and careless too And, if their eyes should watch and weep Till sorrows source were dry She would not, in her tranquil sleep Return a single sigh Blow west-wind, by the lonely mound And murmur summer streams There is no need of other sound To soothe [a]1 lady's dreams
Text Authorship:
- by Emily Brontë (1818 - 1848), "Song", appears in Poems by Currer, Ellis, and Acton Bell, first published 1846
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View original text (without footnotes)Note: in the Fisk work, this is sung by Isabella
1 Bronte: "my"
Researcher for this page: Terry Fisk
"Grief transformed him into a complete hermit. He spent a life of entire seclusion within the limits of his park and grounds, only varied by solitary rambles on the moors."
30. How clear she shines!  [sung text checked 1 time]
How clear she shines! How quietly I lie beneath her [silver]1 light While Heaven and Earth are whispering to me "Tomorrow wake, but dream tonight." [Yes fancy come, my spirit love! These throbbing temples, softly kiss, And bend my lonely couch above And bring me rest.]2 While gazing on the stars that glow Above me in that stormless sea I long to hope that all the woe Creation knows is held in thee! And this shall be my dream tonight I'll think the heav'n of glorious spheres Is rolling on its course of light In endless bliss, through endless years. [I'll think there's not one world above Far as these straining eyes can see Where wisdom ever laughed at Love Or Virtue crouched to Infamy Where pleasure still will lead to wrong And helpless reason warn in vain And truth is weak, and treachery strong And joy the shortest path to pain And peace the lethargy of grief And hope a phantom of the soul And life a labour void and brief And death the despot of the whole]3
Text Authorship:
- by Emily Brontë (1818 - 1848), "How clear she shines", from Poems by Currer, Ellis, and Acton Bell, first published 1846
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View original text (without footnotes)Note: in the Fisk work, this is sung by Edgar
1 Fisk: "guardian"
2 omitted by Fisk
3 omitted by Mitchell
Researcher for this page: Victoria Brago
"I confess this blow was greater to me then the shock of Mrs Linton's death. Ancient associations lingered round my heart I sat down in the porch and wept as for a blood relation."
31. How few of all the hearts that loved  [sung text checked 1 time]
How few of all the hearts [that loved]1 Are grieving for thee now and why should mine tonight be moved With such a sense of woe Too often thus when left alone Where none my thoughts can see Comes back a word a passing tone From thy strange history Sometimes I seem to see thee rise A glorious child again [...]2 O fairly spread thy earthly sail And fresh and pure and free Was the first impulse of the gale That urged life's wave for thee Why did the pilot too confiding Dream o'er that oceans foam And trust in pleasures careless guiding to bring his vessel home? For well he knew what dangers frowned What mists would gather dim What rocks and shelves and sands lay round Between his port and him The very brightness of the sun The splendour of the main The wind that bore him wildly on Should not have warned in vain An anxious gazer from the shore I marked the whitening wave And wept the more Because I could not save It reeks not now when all is over And yet my heart will be A mourner still though friend and lover Have both forgotten thee
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Nelly
1 omitted by Fisk
2 lines 11-16 omitted by Fisk
Researcher for this page: Terry Fisk
SCENE EIGHT
On her sixteenth birth Cathy is taken to see her cousin Linton. A smuggled correspondence between the two children is carried on until stopped by Nelly, fearful of the possible consequences if it was discovered. Several months later Heathcliff tells Cathy that Linton is very sick and wants to see her again. The resulting visit is continued every evening for three weeks without her fathers knowledge [32]
When it become apparent Linton is failing, Heathcliff tricks Cathy and Nelly into visiting the Heights then holds them capture for four days while making preparation for a forced marriage between the two children so gaining legal control of both estates. Cathy, now Mrs Linton, escapes however, arriving at the bedside of her dying father, Edgar who is looking forward to being reunited with his beloved Catherine [33]. He dies peacefully at three in the morning. Cathy stays beside his bed until noon the next day [34]
After Edgar's funeral Heathcliff tells Nelly Linton and Cathy that he is going to rent out the Grange and all three must return with him to Wuthering Heights A little later he reveals to Nelly that, the day before, following the graveside ceremony, he had opened Catherine's coffin just to see her face again and had felt a strange sense of tranquillity and belonging. [35] Linton dies willing all his entitlements to his father leaving Cathy totally dependent on Heathcliff. During this time the first signs of an emerging friendship between Cathy and Hareton are noticed by Nelly. Lockwood informs Heathcliff that he is returning to city life
"And are you glad to see me?" .... "Yes I am. It's something new to hear a voice like yours."
32. O transient voyager of heaven  [sung text checked 1 time]
O transient voyager of heaven O silent sign of winter skies What adverse wind thy sail has driven To dungeons where a prisoner lies? Methinks the hand that shut the sun So sternly from this mourning brow Might still their rebel task have done? And checked a thing so frail as thou They would have done it had they known The talisman that dwelt in thee For all the suns that ever shone Have never been so kind to me For many a week, and many a day My heart was weighed with sinking gloom When morning rose in mourning grey And faintly lit my prison room But angel like, when I awoke Thy silvery form so soft and fair Shining through darkness, sweetly spoke Of cloudy skies and mountains bare [...]1 Thy presence [and voiceless soulless messenger]2 Waked a thrilling tone That comforts me while thou art here And will sustain when thou art gone
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Linton (stanzas 1, 3-6) and Cathy (second stanza).
1 lines 21-24 omitted by Fisk
2 omitted by Fisk
Researcher for this page: Terry Fisk
"I'm going to her; and you, darling child, shall come to us."
33. I'm happiest when most away  [sung text checked 1 time]
I'm happiest when most away I can bear my soul from its home of clay On a windy night when the moon is bright And the eye can wander thru worlds of light When I am not and none beside Nor earth nor sea nor cloudless sky But only spirit wandering wide Thru infinite immensity.
Text Authorship:
- by Emily Brontë (1818 - 1848), no title, appears in The Complete Poems of Emily Brontë, first published 1910
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Note: in the Fisk work, this is sung by EdgarResearcher for this page: Victoria Brago
34. [No title]  [sung text checked 1 time]
[...]1 It was not a summer's day That saw his spirits flight [He]2 parted in a time of awe A winter night
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Catherine
1 lines 1-4 omitted by Fisk
2 Bronte: "Thine"
Researcher for this page: Terry Fisk
"I'll tell you what I did yesterday. I got the sexton to remove the earth off her coffin lid and I opened it."
35. Cold in the earth, the deep snow piled above thee!  [sung text checked 1 time]
Cold in the earth, the deep snow piled above thee! Far, far removed, cold in the dreary grave! Have I forgot, my Only Love, to love thee, Severed at last by Time's all wearing wave? Cold in the earth, and [fifteen]1 wild Decembers From those brown hills have melted into spring Faithful [indeed the]2 spirit that remembers [After years]3 of change and suffering! Sweet love of youth, forgive if I forget thee While the World's tide is bearing me along; [Other desires and darker hopes beset me Hopes which obscure but cannot do thee wrong]4 No other [Sun]5 has lightened up my heaven; No [other Star]6 has ever shone for me; All my life's bliss from thy dear life was given all my life's bliss is in the grave with thee. But when the days of golden dreams had perished [Even]7 despair was powerless to destroy [Then I did learn how existence could be cherished Strengthened and fed without the aid of joy]4 Then did I check the tears of useless passion, Weaned my young soul from yearning after thine; [Sternly denied its burning wish to hasten Down to that tomb already more then mine]4 And even yet, I dare not let it languish Dare not indulge in Memory's rapturous pain; Once drinking deep of that [divinest]8 anguish, How could I seek the empty world again?
Text Authorship:
- by Emily Brontë (1818 - 1848), "Remembrance", appears in Poems by Currer, Ellis, and Acton Bell, first published 1846
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View original text (without footnotes)Note: in the Fisk work, this is sung by Heathcliff
1 Fisk: "eighteen"
2 Fisk: "indeed is the"
3 Fisk: "After such years"
4 omitted by Mitchell
5 Fisk: "light"
6 Fisk: "second morn"
7 Fisk: "And even"
8 Fisk: "divine"
Researcher for this page: Victoria Brago
"They lifted their eyes together, to encounter Mr Heathcliff: Perhaps you have never remarked that their eyes are precisely similar and they are those of Catherine Earnshaw."
36. Come hither child who gifted thee  [sung text checked 1 time]
Come hither child who gifted thee With power to touch that string so well How [dare you wake]1 thoughts in me Thoughts that I would but cannot quell ? [...]2 But thus it was - one festal night When I was hardly six years old I stole away from crowds and light and sought a chamber dark and cold I had no one to love me there I knew no comrade and no friend And so I went to sorrow where Heaven only heaven saw me [wend]3 Loud blew the wind twas sad to stay From all that splendour barred away I imaged in the lonely room A thousand forms of fearful gloom And with my wet eye raised on high I prayed to God that I might die Suddenly in that silence drear A sound of music reached my ear And then a note I hear it yet So full of soul so deeply sweet I thought that Gabriel's self had come To take me to my fathers home Three times it rose that seraph strain Then died nor lived ever again But still the words and still the tone Swell round my heart when all alone
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Heathcliff
1 Bronte: "darest thou rouse up"
2 lines 5-8 omitted by Fisk
3 Bronte: "bend"
Researcher for this page: Terry Fisk
"Nelly, there is a strange change approaching. I'm in its shadow at present."
37. Why ask to know the date the clime?  [sung text checked 1 time]
Why ask to know the date the clime? More then mere words they cannot be Men knelt to God and worshipped crime And crushed the helpless even as we But they had learnt from length of strife Of civil war and anarchy To laugh at death and look on life With somewhat lighter sympathy It was the autumn of the year The time to labouring peasants dear Week after week from noon to noon September shone as bright as June Still, never hand a sickle held The crops were garnered in the field Trod out and ground by horse's feet While every ear was milky sweet And kneaded on the threshing floor With mire of tears and human gore Some said they thought that heaven's pure rain Would hardly bless those fields again Not so - the all benignant skies Rebuked that fear of famished eyes July passed on with showers and dew And August glowed in showerless blue No harvest time could be more fair Had harvest fruits but ripened there And I confess that hate of rest And thirst for things abandoned now Had weaned me from my country's breast And brought me to that land of woe Enthusiast in a name delighting My alien sword I drew to free One race, beneath two standards fighting For Loyalty and Liberty When kindred strive God help the weak A brothers ruth 'tis vain to seek At first it hurt my chivalry To join them in their cruelty But I grew hard I learnt to wear An iron front to terror's prayer I learnt to turn my ears away From tortures groans as well as they By force I learnt what power had I To say the conquered should not die? What heart one trembling foe to save When hundreds daily filled the grave? Yet there were faces that could move A moment's flash of human love And there were fates that made me feel I was not to the centre steel I've often witnessed wise men fear To meet distress which they foresaw And seeming cowards nobly bear A doom that thrilled the brave with awe Strange proofs I've seen how hearts could hide Their secret with a lifelong pride And then reveal it as they died Strange courage and strange weakness too In that last hour, when most are true And timid natures strangely nerved To deeds from which the desperate swerved These I may tell but leave them now Go with me where my thoughts would go Now all today, and all last night I've had one scene before my sight Wood shadowed dales a harvest moon Unclouded in its glorious noon A solemn landscape wide and still A red fire on a distant hill A line of fires and deep below Another duskier, drearier glow Charred beams and lime and blackened stones Self piled in cairns o'er burning bones And lurid flames that licked the wood Then quenched their glare in pools of blood But yestereve No never care Let street and suburb smoulder there- Smoke-hidden, in the winding glen They lay too far to vex my ken Four score shot down all veterans strong One prisoner spared their leader young And he within his house was laid Wounded, and weak and nearly dead We gave him life against his will For he entreated us to kill And statue-like we saw his tears And harshly fell our captain's sneers 'Now, heaven forbid' with scorn he said that noble gore our hands should shed Like common blood - retain thy breath Or scheme, If thou canst purchase death When men are poor we sometimes hear And pitying grant that dastard prayer When men are rich we make them buy The pleasant privilege to die O we have castles reared for kings Embattled towers and buttressed wings Thrice three feet thick, and guarded well With chain and bolt and sentinel! We build our despots dwellings sure Knowing they love to live secure And our respect for royalty Extends to thy estate and thee The supplicant groaned his moistened eye Swam wild and dim with agony The gentle blood could ill sustain Degrading taunts, unhonoured pain Bold had he shown himself to lead Eager to smite and proud to bleed A man amid the battle's storm An infant in the after calm Beyond the town his mansion stood Girt round with pasture land and wood And there our wounded soldiers lying Enjoyed the ease of wealth in dying For him, no mortal more then he Had softened life with luxury And truly did our priest declare Of good things he had had his share We lodged him in an empty place The full moon beaming on his face Through shivered glass, and ruins, made Where shell and ball the fiercest played I watched his ghastly couch beside Regardless if he lived or died Nay, muttering curses on the breast Whose ceaseless moans denied me rest Twas hard, I know, 'twas harsh to say 'Hell snatch thy worthless soul away! But then 'twas hard my lids to keep Through this long night, estranged from sleep Captive and keeper, both outworn Each in his misery yearned for morn Even though returning morn should bring Intenser toil and suffering Slow slow it came Our dreary room Grew drearier with departing gloom Yet as the west wind warmly blew I felt my pulses bound anew And turned to him nor breeze nor ray Revived that mould of shattered clay Scarce conscious of his pain he lay Scarce conscious that my hands removed The glittering toys his lightness loved The jewelled rings and locker fair Forsake the world without regret I murmured in contemptuous tone The world poor wretch will soon forget Thy noble name when thou art gone And words of such contempt I said Cold insults o'er a dying bed Which as they darken memory now Disturb my pulse and flush my brow I know that Justice holds in store Reprisals for these days of gore Not for the blood, but for the sin Of stifling mercy's voice within The blood spilt gives no pang at all It is my conscience haunting me Telling how oft my lips shed gall On many a thing too weak to be Even in thought, my enemy And whispering ever, when I pray 'God will repay - God will repay! He does repay and soon and well The deeds that turn his earth to hell The wrongs that aim a venomed dart Through nature at the Eternal Heart Surely my cruel tongue was cursed I know my prisoner heard me speak A transient gleam of feeling burst And wandered o'er his haggard cheek And from his quivering lips there stole A look to melt a demon's soul A silent prayer more powerful far Then any breathed petitions are Pleading in mortal agony To mercy's Source but not to me My plunder taken I left him there Without one breath of morning air To struggle with his last despair Regardless of the wildered cry Which wailed for death yet wailed to die I left him there unwatched alone And eager sought the court below W'ere o'er a trough of chiselled stone An ice cold well did gurgling flow The water in its basin shed A stranger tinge of fiery red I drank and scarcely marked the hue My food was dyed with crimson too As I went out a ragged child With wasted cheek and ringlets wild A shape of fear and misery Raised up her helpless hands to me And begged her fathers face to see I spurned the piteous wretch away Thy fathers face is lifeless clay As thine mayst be ere fall of day Unless the truth be quickly told Where thou hast hid thy father's gold Yet in the intervals of pain He heard my taunts and moaned again And mocking moans did I reply And asked him why he would not die In noble agony uncomplaining Was it not foul disgrace and shame To thus disgrace his ancient name? Just then a comrade came hurrying in Alas, he cried sin genders sin For every soldier slain they've sworn To hang up five come morn They've taken of stranglers sixty three Full thirty from one company And all my father's family And comrade thou hadst only one They've taken thy all thy little son Down at my captive's feet I fell I had no option in despair As thou wouldst save thy soul from hell My heart's own darling bid them spare Or human hate and hate divine Blight every orphan flower of thine He raised his head from death beguiled He wakened up he almost smiled Twice in my arms twice on my knee You stabbed my child and laughed at me And so with choking voice he said I trust I hope in God she's dead Yet not to thee not even to thee Would I return such misery? Such is that fearful grief I know I will not cause thee equal woe Write that they harm no infant there Write that it is my latest prayer I wrote - he signed and thus did save My treasure from the gory grave And oh my soul longed wildly then To give his saviour life again But heedless of my gratitude The silent corpse before me lay And still methinks in gloomy mood I see it fresh as yesterday The sad face raised imploringly To mercy's God and not to me I could not rescue him his child I found alive and tended well But she was full of anguish wild And hated me, hated to hell And weary with her savage woe One moonless night I let her go
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by HeathcliffResearcher for this page: Terry Fisk
38. In summer's mellow midnight  [sung text checked 1 time]
In summer's mellow midnight A cloudless moon shone through [The]1 open parlour window And rose trees wet with dew I sat in silent musing The soft wind waved my hair I told me heaven was glorious And sleeping earth was fair I needed not its breathing To bring such thoughts to me But still it whispered lowly How dark the woods will be The thick leaves in my murmur Are rustling like a dream And all their myriad voices Instinct with spirit seem I said go gently singer Thy wooing voice is kind But do not think its music Has power to reach my mind Play with the scented flower The young tree's subtle bough And leave my human feelings In their own course to flow The wanderer would not leave me Its kiss grew warmer still Oh come it sighed so sweetly I'll win thee 'gainst thy will Have we not been from childhood friends? Have I not loved thee long? As long as though has't loved the night Whose silence wakes my song And when thy heart is laid at rest Beneath the church yard stone I shall have time [no more]2 to mourn And thou to be alone
Text Authorship:
- by Emily Brontë (1818 - 1848), "The Night-Wind", from Wuthering Heights and Agnes Grey, first published 1850
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View original text (without footnotes)Note: in the Fisk work, this is sung by Heathcliff
1 Bronte: "Our"
2 Bronte: "enough"
Researcher for this page: Terry Fisk
39. Ah why because the dazzling sun  [sung text checked 1 time]
Ah why because the dazzling sun Restored our earth to joy Have you departed every one And left a desert sky? All through the night your glorious eyes Were gazing down in mine And with a full hearts thankful sighs I blessed that watch divine I was at peace, and drank your beams As they were life to me And revelled in my changeful dreams Like petrel on the sea Thought followed thought, star followed star Through boundless regions on While one sweet influence near and far Thrilled through, and proved us one Why did the morning dawn to break So great so pure a spell And scorch with fire, the tranquil cheek Where your cool radiance fell? Blood red, he rose and arrow straight His fierce beams struck my brow The soul of nature sprang elate But mine sank sad and low My lids closed down yet through their veil I saw him blazing still And bathe in gold the misty dale And flash upon the hill I turned me to the pillow then To call back night and see Your worlds of solemn light again Throb with my heart, and me It would not do the pillow glowed And glowed both roof and floor And birds sang loudly in the wood And fresh winds shook the door The curtains waved , the wakened flies Were murmuring round my room Imprisoned there, till I should rise And give them leave to roam Oh, stars, and dreams and gentle night Oh night and stars return And hide me from the hostile light That does not warm, but burn That drains the blood of suffering men Drinks tears, instead of dew Let me sleep through his blinding reign And only wake with you
Text Authorship:
- by Emily Brontë (1818 - 1848), "Stars", appears in Poems by Currer, Ellis, and Acton Bell, first published 1846
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Note: in the Fisk work, this is sung by HeathcliffResearcher for this page: Terry Fisk
40. The battle had passed from the height  [sung text checked 1 time]
The battle had passed from the height And still did evening fall While evening with its hosts of night Gloriously canopied all The dead around were sleeping On heath and granite grey And the dying their last watch were keeping In the closing of the day
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by NellyResearcher for this page: Terry Fisk
41. Aye there it is ‑ it wakes tonight  [sung text checked 1 time]
Aye there it is - it wakes tonight Sweet thoughts that will not die And feeling's fires flash all as bright As in the years gone by [...]1 Yes I could swear that glorious wind Has swept the world aside Has dashed its memory from [my]2 mind Like foam bells from the tide And thou art now a spirit pouring Thy presence into all The essence of the Tempest's roaring And of the Tempest's fall A universal influence From [my]3 own influence free A principle of life intense Lost to mortality Thus truly when the breast is cold [The]4 prisoned soul shall rise The dungeon mingle with the mould The captive with the skies
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Heathcliff
1 lines 5-8 omitted by Fisk
2 Bronte: "thy"
3 Bronte: "thine"
4 Bronte: "Thy
Researcher for this page: Terry Fisk
42. High waving heather, beneath stormy blasts bending  [sung text checked 1 time]
High waving heather, [beneath]1 stormy blasts bending, Midnight and moonlight and bright shining stars; Darkness and glory rejoicingly [blending]2, Earth rising to heaven and heaven descending, Man's spirit away from its [deep]3 dungeon sending, Bursting the fetters and breaking the bars. All down the mountain sides, wild forests lending One mighty voice to the lifegiving wind; Rivers their banks in the jubilee rending, Fast thru the valleys a reckless course wending, Wider and deeper their valleys extending, Leaving a desolate desert behind. Shining and lowering and swelling and dying Changing forever from midnight to noon; Roaring like thunder like soft music sighing, Shadows on shadows advancing and flying, Lightning-bright flashes the deep gloom defying, Coming as swiftly and fading as soon.
Text Authorship:
- by Emily Brontë (1818 - 1848), appears in Poems by Charlotte, Emily, and Anne Brontë Now for the First Time Printed, first published 1902
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View original text (without footnotes)Note: in the Fisk work, this is sung by Heathcliff
1 Fisk: "'neath"
2 Fisk: "blended"
3 Fisk: "drear"
Researcher for this page: Victoria Brago
"Poor Hareton, the most wronged, was the only one that suffered much and bemoaned him with that strong grief that comes from a generous heart."
43. Well some may hate and some may scorn  [sung text checked 1 time]
Well some may hate and some may scorn And some may quite forget thy name But my sad heart must ever mourn Thy ruined [heart]1, thy blighted fame Twas thus I thought an hour ago Even weeping in wretched woe One word turned back my gushing tears And lit my altered eye with sneers Then bless the friendly dust I said That hides thy late lamented head! Vain as thou wert, and weak as vain The slave of falsehood, pride and pain My heart is nought akin to thine Thy soul is powerless over mine But these were thoughts that vanished too Unwise, unholy, and untrue Do I despise the timid deer Because his limbs are fleet with fear? Or would I mock the wolf's death howl Because his form is gaunt and foul? Or hear with joy, the leverets cry Because it cannot bravely die? No! then above his memory Let Pity's heart as tender be Say 'Earth lie lightly on that breast And, kind Heaven, grant that spirit rest!
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Hareton
1 Bronte: "hope"
Researcher for this page: Terry Fisk
44. And first an hour of mournful musing  [sung text checked 1 time]
And first an hour of mournful musing And then a gush of bitter tears And then a dreary calm diffusing Its deadly mist o'er joys and cares And then a throb and then a lightening And then a breathing from above And then a star in heaven brightening The star the glorious star of love
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by CathyResearcher for this page: Terry Fisk
45. Cold, clear, and blue, the morning heaven  [sung text checked 1 time]
Cold, clear, and blue, the morning heaven Expands its [arch]1 on high; Cold, clear, and blue [Lake Werna's]2 water Reflects the winter sky. The moon has set, but Venus shines A silent silvery star.
Text Authorship:
- by Emily Brontë (1818 - 1848), no title, appears in Poems by Charlotte, Emily, and Anne Brontë Now for the First Time Printed, first published 1902
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View original text (without footnotes)Note: in the Fisk work, this is sung by Hareton
1 Fisk: "arc"
2 Fisk: "the still lake"
Researcher for this page: Victoria Brago
46. All day I've toiled but not with pain  [sung text checked 1 time]
All day I've toiled but not with pain In learning's golden mine And now at eventide again The moonbeams softly shine There is no snow upon the ground No frost on wind or wave The south wind blew with gentlest sound And broke their icy grave Tis sweet to wander here at night To watch the winter die With heart as summer sunshine light And warm as summer's sky O may I never lose the peace That lulls me gently now Through time may change my youthful face And years may shade my brow True to myself and true to all May I be healthful still And turn away from passion's call And curb my own wild will
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Note: in the Fisk work, this is sung by Hareton (stanza 1) and Cathy (stanza 2). They sing the remaining stanzas together.Researcher for this page: Terry Fisk
47. When days of beauty deck the earth  [sung text checked 1 time]
When days of beauty deck the earth Or stormy nights descend How well my spirit knows the path On which it ought to wend It seeks the consecrated spot Beloved in childhood's years The space between is all forgot Its sufferings and its tears
Text Authorship:
- by Emily Brontë (1818 - 1848)
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- DUT Dutch (Nederlands) (Lidy van Noordenburg) , copyright © 2023, (re)printed on this website with kind permission
Researcher for this page: Terry Fisk
"What's the matter, my little man? I asked ...There's Heathcliff and a woman, yonder, under t' nab."
48. The night was dark yet winter breathed  [sung text checked 1 time]
The night was dark yet winter breathed With softened sighs on [heaven's]1 shore And though its wind repining breathed It chained the snow swollen streams no more How deep into the wilderness My horse has strayed I cannot say But neither morsel nor caress Would urge him further on the way So loosening from his neck the rein I set my worn companion free And billowy hill and boundless plain Full soon departed him from me The sullen clouds lay all unbroken And blackening round the horizon drear But still they gave no certain token Of heavy rain or tempests near I paused confounded and distressed Down in the heath my limbs I threw Yet wilder as I longed for rest More wakeful heart and eyelids grew It was about the middle night And under such a starless dome When gliding from the mountains height I saw a shadowy figure come [...]2 This is my home where whirlpools blow Where snowdrifts round my path are swelling 'Tis many a year 'tis long ago Since I beheld another dwelling [...]2 The shepherd has died on the mountainside But my ready aid was near him then I led him back o'er the hidden track And gave him to his native glen When tempests roar on the lonely shore I light my beacon with sea-weeds dry And it flings its fire through the darkness dire And gladdens the sailor's hopeless eye [...]3 And deem thou not that quite forgot My mercy will forsake me now I bring thee care and not despair Abasement but not overthrow To a silent home thy foot may come And years may follow of toilsome pain But yet I swear by that burning tear The loved shall meet on its hearth again
Text Authorship:
- by Emily Brontë (1818 - 1848)
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View original text (without footnotes)Note: in the Fisk work, this is sung by Heathcliff (stanzas 1-6) and Catherine (stanzas 7-11)
1 Bronte: "Gondal's
2 4 lines omitted by Fisk
3 lines 49-56 omitted by Fisk
Researcher for this page: Terry Fisk
"At that moment the garden gate swung to. The ramblers were returning. They are afraid of nothing, I grumbled."
49. Tell me, tell me, smiling child  [sung text checked 1 time]
Tell me, tell me, smiling child, What the past is like to thee? "An autumn evening soft and mild With a wind that sighs mournfully." Tell me, what is the present hour? "A green and flowery spray Where a young bird sits gathering its power To mount and fly away." [Tell me, tell me,]1 what is the future, happy one? "A sea beneath a cloudless sun; a mighty, glorious, dazzling sea Stretching into infinity.
Text Authorship:
- by Emily Brontë (1818 - 1848), appears in Poems by Charlotte, Emily, and Anne Brontë Now for the First Time Printed, first published 1902
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View original text (without footnotes)Note: in the Fisk work, this is sung by Nelly (asking the questions), Cathy (first and last answers) and Hareton (second answer).
1 Fisk: "And"
Researcher for this text: Emily Ezust [Administrator]
50. Often rebuked, yet always back returning  [sung text checked 1 time]
Often rebuked, yet always back returning To those first feelings that were born with me And leaving busy chase of wealth and learning For idle dreams of things which cannot be Today I will seek not the shadowy region Its unsustaining vastness waxes drear And visions rising, legion after legion Bring the unreal world too strangely near I'll walk, but not in old heroic traces And not in paths of "high morality" And not among the half distinguished faces The clouded forms of long past history I'll walk where my own nature would be leading It vexes me to choose another guide Where the grey flocks in ferny glens are feeding Where the wild wind blows on the mountain side What have those lonely mountains worth revealing? More glory and more grief then I can tell The earth that wakes one human heart to feeling Can centre both the worlds of Heaven and Hell
Text Authorship:
- by Emily Brontë (1818 - 1848), "Stanzas", from Wuthering Heights and Agnes Grey, first published 1850
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- GER German (Deutsch) (Walter A. Aue) , "Strophen", copyright © 2008, (re)printed on this website with kind permission
Researcher for this page: Terry Fisk
51. No coward soul is mine  [sung text checked 1 time]
No coward soul is mine, No trembler in the world's storm-troubled sphere I see Heaven's glories shine And Faith shines equal, arming me from Fear O God within my breast Almighty, ever-present Deity Life that in me has rest As I, Undying Life, have power in Thee Vain are the thousand creeds That move men's hearts, unutterably vain, Worthless as withered weeds Or idlest froth amid the boundless main To waken doubt in one Holding so fast by thine infinity So surely anchored on The steadfast rock of Immortality With wide-embracing love Thy spirit animates eternal years Pervades and broods above, Changes, sustains, dissolves, creates and rears Though Earth and Man were gone And suns and universes ceased to be And Thou wert left alone, Every existence would exist in thee There is not room for Death Nor atom that his might could render void Since Thou are Being and Breath, And what THOU art may never be destroyed.
Text Authorship:
- by Emily Brontë (1818 - 1848), appears in Wuthering Heights and Agnes Grey, first published 1850
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Note: in the Fisk work, this is sung by LockwoodResearcher for this page: Victoria Brago
52. The sun has set, and the long grass now  [sung text checked 1 time]
The sun has set, and the long grass [now]1
Waves [dreamily]2 in the evening wind;
[And the wild bird has flown from that old gray stone
In some warm nook a couch to find.]3
[ ... ]
Text Authorship:
- by Emily Brontë (1818 - 1848)
See other settings of this text.
View original text (without footnotes)Note: in the Fisk work, this is sung by Nelly
1 omitted by Mitchell2 Fisk: "dreaming"
3 omitted by Fisk
4 Mitchell: "sight"
5 Mitchell: "which"
Researcher for this text: Emily Ezust [Administrator]