How can I then return in happy plight, That am debarred the benefit of rest? When day's oppression is not eas'd by night, But day by night and night by day oppress'd, And each, though enemies to either's reign, Do in consent shake hands to torture me, The one by toil, the other to complain How far I toil, still farther off from thee. I tell the day, to please him thou art bright, And dost him grace when clouds do blot the heaven: So flatter I the swart-complexion'd night, When sparkling stars twire not thou gild'st the even. But day doth daily draw my sorrows longer, And night doth nightly make grief's length seem stronger.
Diaphony (Diafonia)
by Bernard van Dieren (1887 - 1936)
1. Introduction: Sonnet XXVIII  [sung text not yet checked]
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 28
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 28, first published 1857
- ITA Italian (Italiano) (Ferdinando Albeggiani) , "Come in un più felice stato potrò fare ritorno", copyright © 2012, (re)printed on this website with kind permission
2. Sonnet XXX  [sung text not yet checked]
When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste: Then can I drown an eye, unused to flow, For precious friends hid in death's dateless night, And weep afresh love's long since cancell'd woe, And moan the expense of many a vanish'd sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restored and sorrows end.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 30
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 30, first published 1857
- GER German (Deutsch) (Richard Flatter) , appears in Die Fähre, Englische Lyrik aus fünf Jahrhunderten, first published 1936
- ITA Italian (Italiano) (Ferdinando Albeggiani) , "Quando dolci pensieri in silenzioso convegno", copyright © 2008, (re)printed on this website with kind permission
3. Intermezzo contrappuntistico
— Tacet —
Go to the general single-text view
4. Sonnet XLIII  [sung text not yet checked]
When most I wink, then do mine eyes best see, For all the day they view things unrespected; But when I sleep, in dreams they look on thee, And darkly bright, are bright in dark directed. Then thou, whose shadow shadows doth make bright, How would thy shadow's form form happy show To the clear [day]1 with thy much clearer light, When to unseeing eyes thy shade shines so? How would, I say, mine eyes be blessed made By looking on thee in the living day, When in dead night thy fair imperfect shade Through heavy sleep on sightless eyes doth stay? All days are nights to see till I see thee, And nights bright days when dreams do show thee me.
Text Authorship:
- by William Shakespeare (1564 - 1616), no title, appears in Sonnets, no. 43
See other settings of this text.
Available translations, adaptations or excerpts, and transliterations (if applicable):
- CAT Catalan (Català) (Salvador Pila) , "Quan més parpellejo, millor hi veuen els meus ulls", copyright © 2016, (re)printed on this website with kind permission
- FRE French (Français) (François-Victor Hugo) , no title, appears in Sonnets de Shakespeare, no. 43, first published 1857
- ITA Italian (Italiano) (Ferdinando Albeggiani) , "Più io li tengo chiusi, più i miei occhi son chiari", copyright © 2013, (re)printed on this website with kind permission
1 Britten: "days"
Researcher for this page: Ted Perry
5. Sinfonia
— Tacet —
Go to the general single-text view