Women have loved before as I love now; At least, in lively chronicles of the past -- Of Irish waters by a Cornish prow Or Trojan waters by a Spartan mast Much to their cost invaded -- here and there, Hunting the amorous line, skimming the rest, I find some woman bearing as I bear Love like a burning city in the breast. I think however that of all alive I only in such utter, ancient way Do suffer love; in me alone survive The unregenerate passions of a day When treacherous queens, with death upon the tread, Heedless and willful, took their knights to bed.
The Amorous Line
Song Cycle by Jay Poûhe (b. 1935)
1. Women have loved before as I love now  [sung text not yet checked]
Text Authorship:
- by Edna St. Vincent Millay (1892 - 1950), no title, appears in Fatal Interview, first published 1931
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Researcher for this text: Emily Ezust [Administrator]2. Now by this moon, before this moon shall wane  [sung text not yet checked]
Now by this moon, before this moon shall wane I shall be dead or I shall be with you! No moral concept can outweigh the pain Past rack and wheel this absence puts me through; Faith, honour, pride, endurance, what the tongues Of tedious men will say, or what the law -- For which of these do I fill up my lungs With brine and fire at every breath I draw? Time, and to spare, for patience by and by, Time to be cold and time to sleep alone; Let me no more until the hour I die Defraud my innocent senses of their own. Before this moon shall darken, say of me: She's in her grave, or where she wants to be.
Text Authorship:
- by Edna St. Vincent Millay (1892 - 1950), no title, appears in Fatal Interview, first published 1931
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Researcher for this text: Emily Ezust [Administrator]3. Humoresque  [sung text not yet checked]
"Heaven bless the babe!" they said. "What queer books she must have read!" (Love, by whom I was beguiled, Grant I may not bear a child.) "Little does she guess to-day What the world may be!" they say, (Snow, drift deep and cover Till the spring my murdered lover.)
Text Authorship:
- by Edna St. Vincent Millay (1892 - 1950), appears in The Harp-Weaver and other poems, first published 1923
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Researcher for this page: Ted Perry4. I too beneath your moon, almighty Sex  [sung text not yet checked]
I too beneath your moon, almighty Sex, Go forth at nightfall crying like a cat, Leaving the lofty tower I labored at For birds to foul and boys and girls to vex With tittering chalk; and you, and the long necks Of neighbors sitting where their mothers sat Are well aware of shadowy this and that In me, that's neither noble nor complex. Such as I am, however, I have brought To what it is, this tower; it is my own; Though it was reared To Beauty, it was wrought From what I had to build with: honest bone Is there, and anguish; pride; and burning thought; And lust is there, and nights not spent alone.
Text Authorship:
- by Edna St. Vincent Millay (1892 - 1950), appears in Huntsman, What Quarry?, first published 1939
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Researcher for this text: Emily Ezust [Administrator]5. Oh, think not I am faithful to a vow!  [sung text not yet checked]
Oh, think not I am faithful to a vow! Faithless am I save to love's self alone. Were you not lovely I would leave you now: After the feet of beauty fly my own. Were you not still my hunger's rarest food, And water ever to my wildest thirst, I would desert you -- think not but I would! -- And seek another as I sought you first. But you are mobile as the veering air, And all your charms more changeful than the tide, Wherefore to be inconstant is no care: I have but to continue at your side. So wanton, light and false, my love, are you, I am most faithless when I most am true.
Text Authorship:
- by Edna St. Vincent Millay (1892 - 1950), no title, appears in A Few Figs from Thistles, first published 1920
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Researcher for this text: Emily Ezust [Administrator]6. And you as well must die, beloved dust  [sung text not yet checked]
And you as well must die, beloved dust, And all your beauty stand you in no stead; This flawless, vital hand, this perfect head, This body of flame and steel, before the gust Of Death, or under his autumnal frost, Shall be as any leaf, be no less dead Than the first leaf that fell,--this wonder fled. Altered, estranged, disintegrated, lost. Nor shall my love avail you in your hour. In spite of all my love, you will arise Upon that day and wander down the air Obscurely as the unattended flower, It mattering not how beautiful you were, Or how beloved above all else that dies.
Text Authorship:
- by Edna St. Vincent Millay (1892 - 1950), no title, appears in Second April, first published 1921
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Researcher for this text: Emily Ezust [Administrator]7. What lips my lips have kissed, and where, and why  [sung text not yet checked]
What lips my lips have kissed, and where, and why, I have forgotten, and what arms have lain Under my head till morning; but the rain Is full of ghosts tonight, that tap and sigh Upon the glass and listen for reply, And in my heart there stirs a quiet pain For unremembered lads that not again Will turn to me at midnight with a cry. Thus in winter stands the lonely tree, Nor knows what birds have vanished one by one, Yet knows its boughs more silent than before: I cannot say what loves have come and gone, I only know that summer sang in me A little while, that in me sings no more.
Text Authorship:
- by Edna St. Vincent Millay (1892 - 1950), "Sonnet XLIII", appears in The Harp-Weaver and other poems, in Sonnets from an Ungrafted Tree, first published 1923
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Available translations, adaptations or excerpts, and transliterations (if applicable):
- FRI Frisian [singable] (Geart van der Meer) , copyright © 2015, (re)printed on this website with kind permission
- GER German (Deutsch) [singable] (Walter A. Aue) , "Welch' Lippen meine küßten ( 43. Sonett )", copyright © 2010, (re)printed on this website with kind permission
Researcher for this page: Robert Manno